To the west of this town rises a mountain of fire sung of in a book of poems. On a height overlooking that mountain stood a castle that was the seat of a hundred-thousand-koku domain, still loved by a name that means “mist hangs over it.” In the castle town a tradition of chrysanthemum-growing has been carried on, and the festival that makes them into dolls has grown to one of the largest in Japan, by which this town is called “the chrysanthemum castle town.” In the Heisei era this castle town newly became one with three neighboring towns and set out, and it has since quietly lost population. Nihonmatsu-shi’s numbers are the record of a town inscribed with the history of Kasumigajo and the mountain of fire.
A city in the northern Nakadori region of Fukushima Prefecture, opening onto the basin of the Abukuma River. Because this city set out at the end of 2005 when the castle town and three neighboring towns newly became one, the step in population for the municipal area appears between 2005 and 2010, the span in which the merger is mirrored in the Census. The population of the castle town alone was 35,107 in 2005, and the post-merger municipal area was 59,871 in 2010, falling thereafter to 53,557 in 2020. What I (Atlas) want to read here is not the sign “a castle town of central Fukushima,” but the causal thread: how the history of Kasumigajo and the mountain of fire is translated into today’s population and finances.
01 · See the Nihonmatsu-shi of today in its numbers
In the latest Population Census the population is about fifty-four thousand (53,557 in 2020). Because this city set out at the end of 2005 when the castle town and three neighboring towns newly became one, the step in population for the municipal area appears between 2005 and 2010, the span in which the merger is mirrored in the Census. The population of the castle town alone was 35,107 in 2005, and the post-merger municipal area was 59,871 in 2010, 58,162 in 2015 and 53,557 in 2020 — falling.
Looking inside the figures, the figure of a castle-town city overlooking the mountain of fire appears. The share aged 65 and over rose from 19.8% for the castle town alone in 2000 to 34.4% for the post-merger municipal area in 2020 — a rise of about fifteen points over twenty years, far exceeding three in ten. The household-with-children share is 21.0% (2020), and the Childcare Waitlist was zero in both 2024 and 2025. The Fiscal Capacity Index was 0.46 in fiscal 2023 — a level where its own tax revenue does not reach half of expenditure, with a large degree of reliance on the local allocation tax. This castle-town city that holds Kasumigajo has lost population and deepened in age after the merger. Why that came to be comes into view only by entering into the history of the castle, the mountain of fire and the merger.
Source: Population Census (Statistics Bureau, MIC) / Local Government Finance Survey, Fiscal Capacity Index (MIC) / Childcare Facility Status Report (Children and Families Agency) / Real Estate Information Library (MLIT)
02 · A hundred-thousand-koku castle overlooking the mountain of fire, the chrysanthemum castle-town tradition, the merger of four municipalities — the history behind the numbers
This town’s skeleton is set by the landform of a height overlooking the mountain of fire to the west, the hundred-thousand-koku castle placed on that height, the chrysanthemum-growing tradition carried on in the castle town, and the merger of four municipalities. The opening layer is the castle. To the west of the city rises a mountain of fire sung of in a book of poems. On a height overlooking that mountain, in the Edo era, a castle that was the seat of a hundred-thousand-koku domain was placed. That castle, called by a name meaning that mist hangs over it, is known alongside several famous castles within the prefecture, and its ruins still remain as a national Historic Site. A castle overlooking the mountain of fire was this town’s old center.
To this castle town a chrysanthemum-growing tradition was carried on. Inheriting the castle-town tradition, chrysanthemums were grown in the castle town, and the festival that makes them into dolls grew to one of the largest in Japan. It is by this tradition that this town is called “the chrysanthemum castle town.” The path by which it became a city mirrors this town too. At the end of 2005 the castle town newly became one with three neighboring towns, and the present city set out. Upon a hundred-thousand-koku castle overlooking the mountain of fire, the chrysanthemum castle-town tradition was laid, and in the Heisei era four municipalities further became one. A castle was placed on a height overlooking the mountain of fire to the west — from there, everything about this town begins.
Source: Nihonmatsu City / Nihonmatsu Castle (Kasumigajo) (the seat of the Niwa clan’s 100,000-koku Nihonmatsu Domain in the Edo era; one of Japan’s Top 100 Castles alongside Wakamatsu Castle and Shirakawa Komine Castle within Fukushima; the nationally designated Historic Site, Prefectural Kasumigajo Park — overview) / Nihonmatsu City / The Nihonmatsu Chrysanthemum Dolls (one of Japan’s largest chrysanthemum-doll exhibitions, continuing the castle-town tradition, by which the city is called “the chrysanthemum castle town”; Mount Adatara to the west of the city — one of Japan’s 100 Famous Mountains, sung of in Kotaro Takamura’s “Chieko-sho” — overview) / Nihonmatsu City (the 2005-12-1 new merger of the old Nihonmatsu City with Adachi, Iwashiro and Towa towns of Adachi County; the northern Nakadori region of Fukushima, in the Abukuma River basin — overview)
03 · In a castle town overlooking the mountain of fire, it loses population and deepens in age after the merger
What characterizes Nihonmatsu-shi is that, while holding the history of Kasumigajo and the mountain of fire, it loses population and advances in age after the merger. The 35,107 of the castle town alone in 2005 became 59,871 for the post-merger municipal area in 2010, falling thereafter to 53,557 in 2020 — a loss of a little over six thousand over ten years. Even in this town known as a hundred-thousand-koku castle town and as a chrysanthemum castle town, a part of the younger generation can be read as having moved to larger cities or toward Fukushima and Koriyama, and, together with the aging of the surrounding towns added in the merger, the age of the whole town as having risen. That the share aged 65 and over, at 34.4% in 2020, far exceeds three in ten is an expression of this.
On the other hand, the Childcare Waitlist was zero in both 2024 and 2025, and the household-with-children share is 21.0% (2020). A Fiscal Capacity Index of 0.46 is a level where its own tax revenue does not reach half of expenditure, showing the largeness of the reliance on the local allocation tax. The castle-town city that holds Kasumigajo now advances in age while losing population after the merger. A post-merger population decline, aging reaching the mid-three-in-ten range, finances not thick from tax revenue alone — the present of a castle-town city overlooking the mountain of fire is not something to be spoken of by pulling out any single number. Only where the three overlap does the town’s present location come into view.
Source: Population Census (Statistics Bureau, MIC) / Local Government Finance Survey, Fiscal Capacity Index (MIC) / Childcare Facility Status Report (Children and Families Agency)
04 · On a height overlooking the mountain of fire, with a castle and a chrysanthemum tradition placed
In Nihonmatsu several faces of differing origin overlap. One is the history of a castle town that placed a castle, the seat of a hundred-thousand-koku domain, on a height overlooking, to the west, the mountain of fire sung of in a book of poems. Another is the character of “the chrysanthemum castle town,” inheriting the castle-town tradition, growing chrysanthemums and making them into dolls in a festival that has grown to one of the largest in Japan. And in the basin of the Abukuma River, the very landform of a height overlooking the mountain of fire to the west became the foundation that called the castle and raised the chrysanthemum castle town.
From a castle overlooking the mountain of fire, to the chrysanthemum castle-town tradition, and on to the merger of four municipalities — a height overlooking the mountain of fire to the west called the castle and raised the castle-town tradition. The height that once gathered people and goods as the seat of a hundred-thousand-koku domain now quietly raises its age within the municipal area widened by merger. The same height holds, in one continuous span, the memory of the castle town’s bustle and the present of a falling population.
Source: Nihonmatsu City / Nihonmatsu Castle (Kasumigajo) (the seat of the Niwa clan’s 100,000-koku Nihonmatsu Domain in the Edo era; one of Japan’s Top 100 Castles alongside Wakamatsu Castle and Shirakawa Komine Castle within Fukushima; the nationally designated Historic Site, Prefectural Kasumigajo Park — overview) / Nihonmatsu City / The Nihonmatsu Chrysanthemum Dolls (one of Japan’s largest chrysanthemum-doll exhibitions, continuing the castle-town tradition, by which the city is called “the chrysanthemum castle town”; Mount Adatara to the west of the city — one of Japan’s 100 Famous Mountains, sung of in Kotaro Takamura’s “Chieko-sho” — overview) / Nihonmatsu City (the 2005-12-1 new merger of the old Nihonmatsu City with Adachi, Iwashiro and Towa towns of Adachi County; the northern Nakadori region of Fukushima, in the Abukuma River basin — overview)
05 · Atlas note — the present of the castle town that 34% and 0.46 point to
Lay out Nihonmatsu’s numbers and the indicators of a castle-town city overlooking the mountain of fire line up: a population that falls after the merger, an aging rate of 34.4%, a household-with-children share of 21.0%, fiscal capacity of 0.46. But tracing the history as one follows profit and loss line by line, what I (Atlas) want to read is this town’s origin as “a hundred-thousand-koku castle town overlooking, to the west, a mountain of fire sung of in a book of poems.” On a height overlooking that mountain of fire, in the Edo era, a castle that was the seat of a hundred-thousand-koku domain was placed, and a castle town opened. The chain by which people and goods gathered on a land where the symbol of the mountain of fire and the base of the castle overlapped explains this town’s map well.
One more thing to consider is that this town “raised a chrysanthemum-growing tradition into a festival of the castle town.” Inheriting the castle-town tradition, chrysanthemums were grown, and the festival that makes them into dolls grew to one of the largest in Japan, so that this town came to be called “the chrysanthemum castle town.” That this town, which laid the seasonal tradition of the chrysanthemum upon the skeleton of the castle, loses population and has advanced in age to the mid-three-in-ten range after the merger is an overlap proper to this town. Finally, I want to return to two numbers: an aging rate of 34.4% and fiscal capacity of 0.46. The height that gathered people and goods as a hundred-thousand-koku castle town and as a chrysanthemum castle town now has more than one in three aged 65 and over, and does not reach even half of expenditure with its own tax revenue. The distance between the memory of the castle town’s bustle and these two numbers expresses, more honestly than anything, where the town overlooking the mountain of fire now stands. Begin not from the sign “a castle town of central Fukushima” but from this 34.4% and 0.46, and one is spared misreading Nihonmatsu.
Source: Population Census (Statistics Bureau, MIC) / Nihonmatsu City / Nihonmatsu Castle (Kasumigajo) (the seat of the Niwa clan’s 100,000-koku Nihonmatsu Domain in the Edo era; one of Japan’s Top 100 Castles alongside Wakamatsu Castle and Shirakawa Komine Castle within Fukushima; the nationally designated Historic Site, Prefectural Kasumigajo Park — overview) / Nihonmatsu City / The Nihonmatsu Chrysanthemum Dolls (one of Japan’s largest chrysanthemum-doll exhibitions, continuing the castle-town tradition, by which the city is called “the chrysanthemum castle town”; Mount Adatara to the west of the city — one of Japan’s 100 Famous Mountains, sung of in Kotaro Takamura’s “Chieko-sho” — overview)
Editor’s note: all figures and sources are drawn from official statistics. The prose follows Atlas’s voice, and AI (atlas-handcrafted-reverse-v1 (Daiki 2026-06-02)) handled the shaping of the text. Evaluative or predictive language (such as “a good buy” or “attractive”) is intentionally left out. Revision id: wave24_8